Age, Biography and Wiki
Elijah Wald was born on 1959 in Cambridge, Massachusetts, United States.
|Age||61 years old|
|Birthplace||Cambridge, Massachusetts, United States|
Elijah Wald Height, Weight & Measurements
At 61 years old, Elijah Wald height not available right now. We will update Elijah Wald’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.
Elijah Wald Net Worth
His net worth has been growing significantly in 2019-2020. So, how much is Elijah Wald worth at the age of 61 years old? Elijah Wald’s income source is mostly from being a successful . He is from United States. We have estimated Elijah Wald’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Elijah Wald Social Network
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|Wikipedia||Elijah Wald Wikipedia|
Indeed, his first book was a collaboration with his biologist mother entitled Exploding the Gene Myth, in which they wrote that “The myth of the all-powerful gene is based on flawed science that discounts the environment in which we and our genes exist.” “There are no definitive histories,” he would come to write in How the Beatles Destroyed Rock ‘n’ Roll (2009) “because the past keeps looking different as the present changes.”
“Myths”, Wald remarked in 2002, “are marvelous things, the keys to understanding a culture.
At age 18, Wald departed for Europe to try to make a living as a folk-blues guitarist. For approximately the next 12 years, he traveled the world. He fronted a blues band in Seville, Spain, a swing trio in Antwerp, Belgium, and a rock band in Colombo, Sri Lanka, and studied with Congolese guitarist Jean-Bosco Mwenda. Returning to the United States, he played in “low dives and honky-tonks”, and recorded two albums: the LP Songster, Fingerpicker, Shirtmaker on his and Bill Morrissey’s short-lived label Reckless Records and the CD Street Corner Cowboys (Black Rose Records, 2000). He also arranged and played guitar on one track of Dave Van Ronk’s album of Bertolt Brecht songs, and performed as a sideman with Eric Von Schmidt and for several years with the legendary black string band leader Howard Armstrong.
For many years he wrote for the Boston Globe on “roots music” and “world music”; he also wrote on American and international music for various magazines. In 2000, he was one of many freelancers who left the Globe in a dispute over reprint rights.
Since 2000, he has written numerous books; several of them had CDs as companion pieces. His subject matter has included Mexican corridos and narcocorridos, hitchhiking, the blues musician Robert Johnson and, in How the Beatles Destroyed Rock ‘n’ Roll, American popular music for roughly the first three-quarters of the 20th century. He co-authored Dave Van Ronk’s posthumously published memoir, The Mayor of MacDougal Street (the main inspiration for the Coen Brothers movie Inside Llewyn Davis), wrote the Grammy-winning liner notes for The Arhoolie Records 40th Anniversary Box: The Journey of Chris Strachwitz, made an instructional DVD for guitarists on the music of Joseph Spence (part of a series issued by Stefan Grossman), and has curated and/or written liner notes for numerous CD compilations and re-releases.
Elijah Wald (born 1959) is an American folk blues guitarist and music historian. He is a 2002 Grammy Award winner for his liner notes to The Arhoolie Records 40th Anniversary Box: The Journey of Chris Strachwitz.
Wald was born in 1959 in Cambridge, Massachusetts. His parents were George Wald (co-recipient of the 1967 Nobel Prize in Physiology or Medicine) and Ruth Hubbard, a biologist, with whom Elijah co-authored Exploding the Gene Myth.
“Back in 1936, black folks in the Delta had a different blues myth. It was that a guy who got good enough on guitar and learned how to play the latest hip sounds could get the hell out of the cotton fields and make enough money to move to Chicago, wear sharp new suits, and drive a Terraplane.”